Canadian born artist, Jason Gogo, has been painting since 1997. Over the years, Jason has developed a unique style of art that he calls "organic expressionism," a highy textured and abstract multi-color based form of painting. This style of work has allowed the artist to become well known in Calgary and to his clients that reside in areas all over the world, bringing him great success.Jason Gogo has designed a lifestyle that has promoted him as the rock-and-roll artist. Venturing from a large New-York style studio space to his own gallery in the heart of the art district of Calgary, to presently producing art for international clients, Jason has entertained and enlightened corporate guests and celebrity clients from all over the world. From Hollywood movie stars to big-name rock and roll & country musicians, his celebrity following has marketed Jason as a modern-day Andy Warhol. Jason Gogo is currently working out of his studio in Hollywood, California.
Organic Expressionism is an original style developed by Jason Gogo.This style is composed of extreme textures and multiple layers of colors that represent random organic material. Gogo draws on natural substances including bark, geods and ancient fossils as well as manufacturer's recycled paints, which are applied to his medium of oil paint. Organic materials such as ground antler, real gold and powdered abalone create these extreme textures and veins of natural mineral colors. Colors are applied in layers similar to geological formations that sensor natural hues in layers of time. Anomalies of perfection imitate catastrophic changes in geological material. In nature there is no bias in the application of color, which is the influence of the color palette on these works of art. Most abstract art dissipates as the viewer gets closer revealing simple singular tones of color. In Gogo's organic expressionism, the perceived colors become complex patterns and grids of many colors.
Jason's work is not abstracting nature but rather employing the conditions of universal occurrences such as erosive and tectonic movement to create something truly organic. Believing the dichotomy of paradox is present in all things, Gogo chooses to enable the application for the medium without coercion. In order to balance this correctly, he then adds points of coercion within the art piece. As opposed to layering paint to a pre-conceived idea, Gogo starts with the least dense and ends with the most dense material on his canvas. In the time he is not present, the layers naturally move through each other as the lightest part rises to the top of the most dense. Gogo's art is about creating a tether between the viewers conscious and his subconscious. In that way, the viewer begins to de structuralize his pre-conceptions and starts to see things within the art, thus creating the content. As time progresses,and this thinking expands, the large amount of information within the painting becomes limitless to the viewer. As well, when the color and lighting in its environment shifts, so does the painting's content.
Organic Expressionism is an original style developed by Jason Gogo.This style is composed of extreme textures and multiple layers of colors that represent random organic material. Gogo draws on natural substances including bark, geods and ancient fossils as well as manufacturer's recycled paints, which are applied to his medium of oil paint. Organic materials such as ground antler, real gold and powdered abalone create these extreme textures and veins of natural mineral colors. Colors are applied in layers similar to geological formations that sensor natural hues in layers of time. Anomalies of perfection imitate catastrophic changes in geological material. In nature there is no bias in the application of color, which is the influence of the color palette on these works of art. Most abstract art dissipates as the viewer gets closer revealing simple singular tones of color. In Gogo's organic expressionism, the perceived colors become complex patterns and grids of many colors.
Jason's work is not abstracting nature but rather employing the conditions of universal occurrences such as erosive and tectonic movement to create something truly organic. Believing the dichotomy of paradox is present in all things, Gogo chooses to enable the application for the medium without coercion. In order to balance this correctly, he then adds points of coercion within the art piece. As opposed to layering paint to a pre-conceived idea, Gogo starts with the least dense and ends with the most dense material on his canvas. In the time he is not present, the layers naturally move through each other as the lightest part rises to the top of the most dense. Gogo's art is about creating a tether between the viewers conscious and his subconscious. In that way, the viewer begins to de structuralize his pre-conceptions and starts to see things within the art, thus creating the content. As time progresses,and this thinking expands, the large amount of information within the painting becomes limitless to the viewer. As well, when the color and lighting in its environment shifts, so does the painting's content.
